Rokinon 14mm F/2.8 IF ED UMC Aspherical Ultra Wide Angle Lens for Canon; Lens is designed for full frame cameras but also works on APS-C sensors. The lens features 2 ED lens elements, one hybrid aspherical element, and one glass aspherical lens element. The lens offers an impressive 114-digree field of view on full frame cameras and 92.5-digree on APS-C cameras.
The Audio-Technica AT875R line + gradient condenser microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. The AT875R is Audio-Technica’s shortest shotgun microphone, and mounts conveniently on a DV camcorder without adding noticeable heft. The AT875R is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic. Features: Designed for video production and broadcast (ENG/EFP) audio acquisition Extremely short length (under 7″) ideal for use with compact digital cameras Provides the narrow acceptance angle desirable for long-distance sound pickup Excellent sound rejection from the sides and rear of mic Tailored response minimizes camera and handling noise Operates on phantom power only RoHS compliant—free from all substances specified in the EU directive on hazardous substances Items included: AT8405a stand clamp for 5/8″-27 threaded stands 5/8″-27 to 3/8″-16 threaded adapter Windscreen Soft protective pouch
WD’s My Book Studio Edition II dual-drive external storage system for Mac offers performance for creative professionals. Includes up to 6 TB of storage, RAID, quad-interface, user-serviceability, a 5-year limited warranty, and is compatible with Apple Time Machine.
Large black Rocket Air Blaster easily removes dust and debris from cameras, lenses and filters with a powerful blast of air. Made of rubber. Includes a one-way valve to prevent Blaster from breathing in dust and spreading it back to your equipment.
Extending a lenses focal length by a factor of 1.4x, Extender EF 1.4X III incorporates phenomenal optical performance with minimal chromatic aberration and is a perfect complement to many of Canon super telephoto lenses. It features a built-in microcomputer for seamless communication among camera body, lens and extender; features careful lens placement and coatings to minimize ghosting and flare and even has a new Fluorine coating that keeps soiling, smears and fingerprints to a minimum. An integral part of many professional systems, Extender EF 1.4X III maintains high standards not only optically, but also in terms of rugged, dustproof and water resistant construction.
The Ravelli ATD Tripod Dolly is an excellent dolly for use with your professional camera and video tripods, light stands, and background stands.
The most important feature of a good dolly is good wheels. After all, the point of a dolly is to be able to smoothly move your tripod from one place to another. Unlike less expensive models with smaller plastic wheels, our dolly uses large 3″ diameter wheels with all metal ball bearings and a rubber outer surface for an ultra smooth roll.
The ATD also features one step easy locking wheels. Once you get the dolly where you want it, all you have to do is “step” on the locks for one or more of the wheels. Some
competing models including the best names such as Bogen, Manfrotto, Quickset, and Linhof require that you get down on your knees to “screw” a separate rubber stopper down to the floor to hold the dolly in position.
The universal leg locks used will fit nearly any tripod. Many of the tripod dollies offered by the competition including the best names such as Bogen, Manfrotto, Quickset, and Linhof have a fixed attachment point at the end of the dolly legs. Ours has a leg grip which slides along the dolly leg going either closer to the center or out to the end. This allows you to adjust the desired level of “spread” for the tripod you are using.
New wireless multiple flash system using radio wave communication for enhanced control of up to five groups of flashes Zoom flash head covers wide range of 20-200mm; maximum Guide Number (197 ft/60m at ISO 100) Redesigned contact construction, improved flash head durability, and exceptional dust and weather resistance for reliable operation AF Assist Beam compatible with Canon’s new 61-Point High Density Reticular AF, dot matrix LCD panel and backlit button provide easy visibility 18 Custom Functions for creative flexibility, full swivel, 180 degrees in either direction, color filter holder for attaching Canon and third-party color gelatin filters
Protected, Quad-Interface Storage Solutions G-SPEED Q provides content creators a high-performance, quad-interface, 4-bay RAID solution for every type of digital asset. Equipped with 3Gbit eSATA, FireWire 800, FireWire 400 and USB 2.0, the quiet and stylish G-SPEED Q features an internal RAID controller, solid, all-alluminum enclosure with (4) hot-swappable hard disk drive modules and “Smart Fan” technology. The internal RAID controller features the Oxford 936SE, supporting RAID 0 for maximum performance or RAID 5 for data protection. RAID configuration is accomplished through a simple Mac or PC application. G-SPEED Q’s small footprint and portability make it perfect for laptop applications where high capacity and RAID protection is important. The high performance quad interface features (1) eSATA, (2) FireWire 800, and (1) USB 2.0 port. Customers Who Bought This Item Also Bought
MiC is the most compact studio quality USB microphone available for iPad®, iPhone® and Mac. About the size of an iPhone, MiC makes it easy to capture your best take with incredible quality, anywhere your music takes you. Record any sound you can imagine, from vocals to vibraphones, acoustic to lap steel guitars, pianos to percussion and everything in between, and build a track right on your iPad with GarageBand.
PureDIGITAL connection for pristine sound quality
Studio quality cardioid condenser microphone
44.1/48 kHz, 24-bit analog-to-digital conversion
Studio quality microphone preamp with up to 40dB of gain
No configuration, just plug in and record
Control knob allows easy input level adjustment
Multicolor LED for status indication and input level monitoring
Designed for vocal and acoustic instrument recording
Also great for recording interviews, podcasts, voice overs, and audio for DSLR video
All metal construction
Extremely compact and portable
Works with GarageBand
Bus-powered by iPad, iPhone or Mac (no batteries or external power required)
Made in the U.S.A.
This microphone arm stand will include the following five parts: Scissor microphone arm stand Standard microphone clip for handheld microphones Crank style table mounting clamp Professional studio shock mount for diaphragm condenser microphones XLR male to female microphone cable
XTG Technology PhotoPro Dual Lithium Ion Charger
is the ultimate in speed and performance.
Whether you are new to the photography world or a seasoned professional, this is the last charger you will ever need.
The PhotoPro comes with all of the features, safety protections, and add-on’s you will need to charge your camera batteries as well as any other
USB powered device.
With the ability to charge two batteries 3 times faster than a normal charger, the PhotoPro leads to less downtime during a shoot.
Need a charge on your cell phone or tablet as well? Take advantage of the 2A USB charging output while your Canon batteries are charging.
The premium display gives you a clear picture of how much life your batteries have left so you can manage your time efficiently.
Combine all of this with the industry leading, 2 year XTG warranty, and you’ll see why this is an essential piece of your gear.
Canon EOS 5D Mark II, Mark III, Mark 2, Mark 3, EOS 7D, 60D Cameras
Create unparalleled recordings and send them directly to your computer with Blue Microphone’s Yeti USB Microphone. The Yeti uses Blue Microphone’s proprietary tri-capsule technology to produce pristine, studio-quality recordings. It features four different pattern settings so you can record vocals, instrumental music, podcasts, or interviews in ways that would normally require multiple microphones. With simple controls for headphone volume, pattern selection, instant mute, and microphone gain, you’ll be creating exceptional recordings right out of the box.
There’s nothing quite like a sweeping crane shot that captures an audience’s attention. For years, these shots have been reserved for large budget film studios. But thanks to ProAm virtually inventing the mid-size crane market, low to no-budget filmmakers can record breathtaking scenes with easy to use and best-selling ProAm DVC250 Camera Crane / Jib. This crane is the ideal solution for handling pro shots without paying an exorbitant sum. Mount any DV camcorder or HD DSLR camera under 8 lbs.
If you mount to the ProAm Crane Stand, you can use the crane to give your shot up to 16′ of height – no more expensive and cumbersome jibs that don’t offer you a whole lot of options. Instead, you can use the ProAm DVC250 to handle just about any type of moving shot and film from higher angles. Whatever your imagination can come up with, the ProAm DVC 250 Camera Crane / Jib can handle just fine.
Achieving smooth motion in filming is one of the major challenges of professional filmmakers and videographers. But through the stable, US patented design made of lightweight but sturdy CNC machined aluminum and capable creating amazing movements – will instantly give all of your productions a far more “accomplished” feel.
While lightweight and strong, this jib is also durable, having been coated with scratch-resistant, matte black powder coating. This allows you feel safe and secure about traveling with this equipment for those stunning outdoor shots. And with countless options – from the smoothest bearing mounts to a heavy duty tripod for support – you can customize your purchase to receive a far more comprehensive package.
If you’re concerned about it breaking down, don’t forget about ProAm’s LIFETIME warranty – you read correctly. Not only will you receive a stunning DV or DSLR compatible camera crane jib, but you’ll rest easy knowing that the product is guaranteed to last you the rest of your life. This crane was made for you!
Canon RC-6 Wireless Remote Controller for Canon XT/XTi, XSi, T1i and T2i Digital SLR Cameras
Full featured webcam featuring H.264 video compression, 1080P HD video recording. 2 year limited hardware warranty
This tripod is perfect for field, studio, educational or industrial applications. Featuring heavy duty double strut 3-section tripod and fluid head this offers stability and durability. A 75mm claw ball leveler w/ 3/8″-16″ stud prevents camera vibration for rock solid set ups. Double-strut top leg section for extra stability consists of two section, 3/4″ diameter and one section 1-1/4″ diameter tubing and features self-aligning metal quick-flip leg locks offer fast set up. A mid level spreader is included for adding additional support. Rubber feet grab any surface and a non-glare black anodized finish gives this tripod a classic professional look. A High-quality, padded carrying bag plus extra quick release head plate are included. Maximum Height: 64″ Maximum Load: 18 lbs. Minimum Height: 28″ Weight: 10 lbs. 3 oz.
Complete with behind-the-scenes diary entries from the set of Vachon’s best-known fillms, Shooting to Kill offers all the satisfaction of an intimate memoir from the frontlines of independent filmmakins, from one of its most successful agent provocateurs — and survivors. Hailed by the New York Times as the “godmother to the politically committed film” and by Interview as a true “auteur producer,” Christine Vachon has made her name with such bold, controversial, and commercially successful films as “Poison,” “Swoon,” Kids,” “Safe,” “I Shot Andy Warhol,” and “Velvet Goldmine.”Over the last decade, she has become a driving force behind the most daring and strikingly original independent filmmakers-from Todd Haynes to Tom Kalin and Mary Harron-and helped put them on the map.So what do producers do? “What don’t they do?” she responds. In this savagely witty and straight-shooting guide, Vachon reveals trheguts of the filmmaking process–rom developing a script, nurturing a director’s vision, getting financed, and drafting talent to holding hands, stoking egos, stretching every resource to the limit and pushing that limit. Along the way, she offers shrewd practical insights and troubleshooting tips on handling everything from hysterical actors and disgruntled teamsters to obtuse marketing executives.Complete with behind-the-scenes diary entries from the sets of Vachon’s best-known films, Shooting To Kill offers all the satisfactions of an intimate memoir from the frontlines of independent filmmaking, from one of its most successful agent provocateurs-and survivors.
This rugged Pelican case has everything you need to keep your valuable equipment safe and secure. It features easy roller wheels, double throw latches and watertight construction. It also comes with an easy to adjust single layer padded divider set.This case meets the FFA requirements for maximum carry-on size and has a retractable handle.
For simple and accurate recording of time and location information, Canon’s compact GPS Receiver GP-E2 is the perfect complement to the EOS System. The GP-E2 records location information such as longitude, latitude, elevation, direction and Universal Coordinated Time (UTC) as EXIF data, while also serving as an electronic compass on camera or off. Versatile connectivity options include USB and hot shoe connections with the EOS 5D Mark III and the EOS-1D X (USB connection only with the EOS 7D); smart design and rugged construction ensures reliability plus the ability to be used as a standalone GPS recorder. The newest GPS system designed specifically for the EOS system, the GP-E2 is an ideal tool for photographers on the move.Rugged and lightweight design
To be able to endure a photographer’s travels, Canon designed the GP-E2 to share the same rugged and durable exterior construction as the EOS 5D Mark III DSLR body while still remaining compact and lightweight. Able to withstand harsh weather conditions, the GPS Receiver GP-E2* is a great enhancement to the EOS 5D Mark III for those who wish to take their EOS system out into even the most remote environments.
*The GP-E2 offers the same level of dust- and weather- resistance as the EOS 5D Mark III when connected to the camera’s hot shoe. Dust- and weather-resistance decreases when it is connected to the camera via the USB cable.Can act as a standalone GPS logger
Additionally, the GP-E2 can be used as a standalone GPS logger*. It can be carried in its included case or users can wear it comfortably on their waist. The location information is automatically stored on the GP-E2 at specific intervals and logged information can be added to the EXIF information at a later time using the supplied Map Utility.
*When used as a standalone GPS logger, direction information from the digital compass is not recorded.
The RODE NTG2 is a new, lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V phantom power. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG2 the perfect choice for film, video engineering and voice-over work. The NTG2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles.