Features: Ultra-compact, ultra-lightweight, high-performance flash unit. Vertical bounce capability up to 90 degrees provides a wide range of picture-taking options. Flash coverage can be switched between Normal (28mm full-frame equivalent, max. Guide No. 72 ft./22m at ISO 100) Slave function allows the flash to be triggered wirelessly (when used with an EOS DSLR with a master function). Flash release function triggers the camera wirelessly from the flash on a 2-second delay, And Tele (50mm full-frame equivalent, max. Guide No. 89 ft./27m at ISO 100). Allowing the flash to be repositioned to illuminate the subject. Compact, Lightweight Design – Ideal For Compact Powershot Cameras (G Series & Select Sx Series) & Eos Digital Rebel Class Cameras Ideal For Compact Powershot Cameras & Eos Rebel Class Cameras 28Mm & 50Mm, 2-Step Coverage Angle Selection Bounce Feature For An Even Greater Range Of Picture-Taking Options Simple Setup Using The Camera’S Rear Monitor
New ultra-high ratio zoom lens AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II for use expressly with Nikon DX-format digital-SLR cameras.Dimensions (DxL) Approx. 3.0 x 3.8″ (7.62 x 9.65 cm).A number of unique Nikon technologies have been developed for, and applied to, including a high zoom magnification of 11.1x, a Vibration Reduction (VR II) image stabilization system that provides camera shake compensation equivalent to increases in shutter speed by four stops, and a Silent Wave Motor (SWM), as well as a zoom lock switch. Designed expressly for use with Nikon digital-SLR cameras, exceptional image performance is assured. As the compact AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II covers an extremely wide range of focal lengths (18-200mm, equivalent to 27-300mm in 35mm format; a zoom magnification of 11.1x), it offers excellent versatility for various scenes that include portraits and landscapes. The addition of a zoom lock switch allows photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. This lens offers superior optical performance in a compact size of just 77 x 96.5 mm, despite a high zoom magnification of 11.1x. Nikon’s Silent Wave Motor (SWM) assures fast and quiet autofocusing. The Vibration Reduction system (VR II) provides camera shake compensation equivalent to increases in shutter speed by four steps.What’s in the box: Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Zoom Lens, 72mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, HB-35 Lens Hood, CL-1018 Lens Case, 1-Year Nikon Warranty (5-Year Extension is Available After Registration with Nikon).
The EF 70-200mm F2.8 L IS USM was introduced way back in August 2001, supplementing (but not replacing) the non-stabilized 70-200mm F2.8 L USM in Canon’s highly regarded telephoto lineup. This is a lens which can truly be described as a professional workhorse, with robust build (including dust and moisture resistance), wide F2.8 maximum aperture, fast and silent ultrasonic autofocus motor, and optical image stabilization for hand-holding at slow shutter speeds. The optical design is somewhere on the far side of complex; it features 23 elements in 18 groups, with 4 UD elements to provide compensation for chromatic aberration. According to Canon, this gives a ‘high-resolution, high-contrast optical capability’, as demanded from a lens which needs to perform all day, every day in the hands of professional photographers across a wide range of subjects and conditions.
This large wide aperture zoom lens that covers focal lengths from an ultra-wide angle range of 20 mm to a near standard lens focal length of 40mm, with a bright maximum aperture of F2.8. The lens has a minimum focusing distance of 30cm at all focal lengths.
XTG Technology PhotoPro Dual Lithium Ion Charger
is the ultimate in speed and performance.
Whether you are new to the photography world or a seasoned professional, this is the last charger you will ever need.
The PhotoPro comes with all of the features, safety protections, and add-on’s you will need to charge your camera batteries as well as any other
USB powered device.
With the ability to charge two batteries 3 times faster than a normal charger, the PhotoPro leads to less downtime during a shoot.
Need a charge on your cell phone or tablet as well? Take advantage of the 2A USB charging output while your Canon batteries are charging.
The premium display gives you a clear picture of how much life your batteries have left so you can manage your time efficiently.
Combine all of this with the industry leading, 2 year XTG warranty, and you’ll see why this is an essential piece of your gear.
Canon EOS 5D Mark II, Mark III, Mark 2, Mark 3, EOS 7D, 60D Cameras
Canon RC-6 Wireless Remote Controller for Canon XT/XTi, XSi, T1i and T2i Digital SLR Cameras
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The fastest 135mm telephoto lens in its class. Ideal for indoor sports and portraits with background blur. Two UD-glass elements correct secondary spectrum for outstanding sharpness and color. Compatible with Extender EF 1.4x II and 2x II.
Canon – Backpack for camera – nylon, polyester – black – for EOS 1D, 1Ds, 20, 5D, Digital Rebel, Digital Rebel XT, ELAN 7NE, Rebel K2, Rebel T2
A highly practical medium telephoto lens with superb delineation and portability. Images are sharp and clear at all apertures. Through computer simulations, the lens has been designed to give beautiful background blur. Since the front lens group does not rotate during focusing special filter effects are not affected. Sharp. Lightweight. Responsive. These are just a few adjectives that describe this terrific portrait-length telephoto lens. With a powerful ring-type USM and fast f/1.8 aperture, subjects zip into focus in the viewfinder. It’s great for all types of work calling for moderate telephoto power, but comes into its own in low-light situations, and offers a 1/3-stop speed advantage over the 100mm f/2 USM lens. A medium telephoto lens with a large aperture brings the subject closer, creates excellent background blur, gives a longer flash range, and affords a faster shutter speed to freeze the action. A standard zoom lens, with its natural angle of view and perspective, captures the subject plainly, with no special effects. However, you can use standard lenses in creative ways by varying the subject distance, aperture, and angle. Features EF mount; telephoto lens Inner focusing; full-time manual focus 85mm focal length f/1.8 maximum aperture Ring-type UltraSonic Motor (USM)
The new Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag. Based on the award-winning optical design of the AT-X 124 PRO DX (12-24mm f/4) lens, the new AT-X 116 PRO DX has a slightly shorter zoom range to maintain optical quality at wide apertures. Tokinas exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no need to change the AF-MF switch on Nikon cameras** and there is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring.
The 100mm f/2.8L Macro Lens is Canon’s mid-telephoto macro lens to include Canon’s sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivalled. This is the first lens on the market to incorporate Canon’s Hybrid Image Stabilization Technology. Hybrid IS effectively compensates for both angular and shift camera shake during close-up shooting. The lens was developed to expand users’ photographing range and allow a wider range of users to easily enjoy macro photography.
Canon EF 24-70mm f2.8L USM Lens
The innovative photo-movie head is developed to simply be the best and most ideal solution for the new HD DSLRs with embedded video functions. With a single product it is possible to take advantage of an extraordinary Photo Head and a Fully Featured video head. The unique Photo-Movie selector makes switching from shooting photos to videos quick and immediate, experiencing the best of both worlds. In Photo mode the head provides the speed and maximum freedom in all directions, like a ball head combined with an incredibly precise, smooth and controlled movement never experienced before thanks to the fluid cartridges and an adjustable counter balance control. In Video mode a fully featured video head allows for a precise and fluid movement for pan and tilt with all of the typical video settings, including friction control. The pan bar is reversible for right or left hand users and it can quickly be removed and fixed on a tripod leg thanks to the included rest clip. Technical Specifications: Front Tilt -90° / +90°; 60mm Head Bowl; Lateral Tilt +90° / -20° tilt range ; Load Capacity 7 kg 15.43 lbs.; Material magnesium; Pan Drag continuously adjustable from 0 to max level; 360 degrees Panoramic Rotation; Spring Loaded Counter Balance proportional / free / off; Tilt Drag continuously adjustable from 0 to max level; Weight 45.06 oz.; Working Height 5.31 in.
The Opteka SteadyVid PRO is a video stabilizing system designed to reduce shake and stabilize video on cameras and camcorders weighing up to 5 lbs (2.26kg). The SteadyVid PRO features aluminum construction, adjustable mounting plate, comfort grip handle, super-smooth gimbal, sprit level and includes 2 removable weights in addition to the main counterweight.
Load Capacity: 5 lbs (2.26kg)
Construction: Aluminum Body, Rubber Padded Handle, Polished Chrome Counterweights
Dimensions (LxHxD): 8 x 9.5 x 1.2″ (20.3 x 24.1 x 3 cm)
Counterbalance Weights: 1.15 lbs (515g) (1x 335g & 2x 90g weights)
Weight (without counterweights): 1.55 lbs (705g)
Weight (with counterweights): 2.68 lbs (1.22kg)
Warranty: 1 Year
The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras. This high-performance, weather-resistant lens delivers all the superb image resolution and contrast you expect in a Canon L Series Lens. Sample Image MTF Chart
The Opteka CXS-100 Videographer’s Dual Rig with Shoulder Support Mount will allow any filmmaker to achieve professional results. Constructed of an high quality aluminum and stainless steel, the shoulder support system is designed to accommodate digital SLR cameras all the way up to prosumer camcorders.
No matter what your camera, Opteka’s FF180 Follow Focus lends your video production the smooth, precise focus control of a big-budget film. Whether shooting with a fixed-lens camcorder, interchangeable cinema lenses, or a video-capable DSLR, the precision-machined FF180 Follow Focus system provides repeatable, accurate focusing.
The Opteka MB360 Digital Matte Box is specially designed for all cameras with normal and wide angle lenses. The Opteka MB360 Digital Matte Box is easily detachable. It is very light in weight and is made up of strong material. The Opteka MB360 matte box is a simple and unique in design – used to reduce extra sunlight on the lens.
Opteka CXS-100 Videographer’s Dual Rig with Shoulder Support
~ Heavy-duty aluminum and stainless steel construction
~ Lowers fatigue while reducing vibration and shaking
~ 1″ foam pad on shoulder to stay comfortable while you shoot
~ Customizable by adding any Follow Focus or Matte Box
Opteka FF180 Reversible Follow Focus
~ Smooth, Precise Focusing
~ Gear-driven Design
~ 0.8 Film Pitch Gearing
~ Easily switchable to either side of camera
~ 3D marking disk allows focus marks to be easily viewed by operator or assistant
Opteka MB360 Digital Matte Box
~ Fits lens sizes: from 43mm up to 77mm only
~ Made of ABS plastic and black anodized aluminum
~ Adjustable height to fit different lens sizes and diameters
~ Removable top and flank flags for easy carrying
Rail Mount: 15mm
Rail Spacing: 60mm
The Opteka VM-100 Shotgun Microphone is a highly sensitive directional microphone designed to magnify your target sounds while eliminating background noise from video shoots. The VM-100 will attach to camcorders & digital SLRs via shoe mount, straight bracket or video rig. It may also be mounted to a boompole via the 3/8″ or 1/8″ threads.
Polar Pattern: Super-cardioid
Frequency Response: 40Hz – 20kHz Selectable HPF @ 80Hz / 12dB /octave
Dynamic Range (Typical): 114dB
Signal-to-Noise Ratio: 74dB
Maximum Input Sound Level: 134dB
Power Supply: 9V Lithium or Alkaline
Battery Life: 100 hours approximately
PAD Switch: 0dB, -10dB, -20dB
Dimensions (LxHxD): 8 x 4 x 2.5″ (203 x 101 x 63mm)
Weight: 7.23 oz (205g)
What’s in the box
~ VM-100 Shotgun Microphone
~ Indoor windscreen
~ Outdoor windscreen
~ Extra suspension bands
~ 1 Year warranty
~ User guide
This super lightweight 160-piece-LED video light can be used in video taking. either for lights setup or supplement, the light intensity can be changed to offer professional effects.
Input: DC 7.2V~8.4V Maximum Power: 9.6 W Color Temperature: 5400K (3200K/filter) Average Service Life: 50000 hours Luminous flux: 660 lm Runtime: 70-90mins Size: 141x62x150 mm Weight: 430g (with package) Illumination: Distance Lux 1m 900 lux 2m 240 lux 3m 120 lux 4m 70 lux 5m 40 lux Package Contains: LED Video Lighting x1 Battery Holder x1 Filter x3(Soft Diffuser, 3200k filter, pink filter) Original Manufacturer Package
Please noted: Batteries are NOT included.